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I do need to do this from time to time. I usually use a timeline in "once" mode, with a switch on at the correct frame. And use that signal. If it's a pulse, don't have the switch overhanging the end of the timeline and make it 1 frame wide. If it is a delayed constant signal, have it overhang the end of the timeline. Still 2 gadgets, but just wanted to explain my method; I find it a lot easier to adjust and more intuitive personally.
That said, I very rarely actually have to do this.